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One of the greatest attempts of street photography is to make the mundane become interesting. Those can be achieved by juxtapositions, timings, light control, and gestures. The use of those techniques gives respect to what Bresson did in defining the genre.
Bringing out visually chaotic elements that are seemingly normal but since a frame was placed to put the elements in order, it becomes something else. The best of them however, makes it surreal.
